Interview: Bleak Life 2

Bleak Life 2 will be launching on April 30th, bringing three days of ear-scorching punk and metal to one of Ontario’s best local music scenes. True to the community-based spirit of DIY, the festival will feature local & regional bands, as well as touring acts, and will be taking place at an eclectic mix of venues around the city. Audio Reckoning recently got together with Matt Hargrove, one of the founders of Bleak Life, to talk about the challenges of putting on an indie festival, the inclusiveness of punk culture, and the magic of doing it yourself.

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The Huaraches: “The Huaraches Steal Second”

Wherein our heroes up the ante on ribald rhythms, dark dance grooves, and cavernous compositional structures.

The Method: (s/t)

On their self-titled record, Kingston, Ontario’s The Method create the sort of no-nonsense alt-rock that used to populate radio all over the world back to from the beyond.

Buddy Black & The Ghost Umbrellas: “The Story on the Road to Waterloo”

Buddy Black and the Ghost Umbrellas will guide you down dusty roads. Their ragged music, a guided tour through the history of folk, country, and punk, will lead you from the country down to the sea, to the place where we all come together.

Page Tuner: “The Man Who Sold The World: David Bowie & the 1970s”

Early on in his remarkably well-researched book, “The Man Who Sold The World: David Bowie & the 1970s”, Peter Doggett posits that Bowie’s seminal folk-rock song “Changes” is a thesis statement for his entire legend, a sort of musical I Ching wherein all the complexities and possibilities of David Jones the man combined to form David Bowie, the legend.

How The Beatles Taught Me To Record

I used to wake up at about noon and put on my tie. In my final semester of high school, I had only one class:  Art. It was during fourth period, so I had basically entire days free at home, without my family or friends to distract me from the crushing boredom that was slowly enveloping me like a weighted fog.  Instead of thinking about my future or worrying about a career, I was lost in cassette tapes.

The Goatbox Rebel: “(S/T)”

The Goatbox Rebel has constructed a thoroughly post-modern take on the blues. Transplanted into the 21st century, the music fuses analog crunch and buzz with digital thrum to create a compelling and fascinating re-casting of one of the foundational sources of rock and roll, given a new electrical tension from the fusion of man and machine.

In Conversation With Daniel Lanois @ TIFF

Last night I had the supreme pleasure of attending an evening billed as “In Coversation With Daniel Lanois” the the TIFF Bell Lightbox. Any time I get a chance to hear a great artist, an icon, talk about their work, I jump at the opportunity.

Motion Pictures: “20,000 Days On Earth”

The rock biography is a tough form to work with these days. With the expansion of the documentary form and the rise of the “mockumentary”, the format is rife with expectations and clichés. “20,000 Days On Earth” manages to avoid all of this by sidestepping any concept of straightforward documentary. Instead, the film functions as a sort of biography of the myth, rather than the man.

Music on Film at TIFF 2014

For many people, music attains its greatest emotive power when accompanying a moving image. Whether your thing is comedy or experimental art-house, it’s hard to imagine our favourite films without their respective scores. Here are three films that I saw at this year’s TIFF in which music played a pivotal role.