Mike Whissell: “Heart Clinic”

In “Heart Clinic”, Mike Whissell explores the various ways that human hearts interact with each other and the myriad trials of trying to connect with another human being. His melodically rich, varied songs are filled with wry observation on relationships, but they are also emotional and direct pleas about the need for connection. The songs have a cathartic kinetic energy, like a thrilling conversation. There is a sense of redemption and release. On this album, the clinic is one that Whissell needs as much as the listener.

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Segovia: “Music For The Guitar”

Continuing my exploration of the history of the guitar as a concert instrument, today I am digging into “Music for The Guitar”, an LP released in the late sixties/early seventies featuring the immortal titan of classical guitar, Andrés Segovia.

Guitar Music & Songs of the Spanish Renaissance

Guitar Music & Songs of the Spanish Renaissance (LP, 1968, Everest)

Today being Thursday, I am exploring the ultimate throwback in the form of the earliest surviving compositions for the guitar, contained on this remarkable and arcane slab of vinyl.

The King Is Dead

Wherein Sam Taylor and I come to terms with the passing of a legend…

Interview: Bleak Life 2

Bleak Life 2 will be launching on April 30th, bringing three days of ear-scorching punk and metal to one of Ontario’s best local music scenes. True to the community-based spirit of DIY, the festival will feature local & regional bands, as well as touring acts, and will be taking place at an eclectic mix of venues around the city. Audio Reckoning recently got together with Matt Hargrove, one of the founders of Bleak Life, to talk about the challenges of putting on an indie festival, the inclusiveness of punk culture, and the magic of doing it yourself.

Stravinsky’s “The Rite of Spring” @ TSO

My wife and I recently attended the Toronto Symphony Orchestra’s performance of Stravinsky’s Rite of Spring. This famous proto-modernist work is one of the most popular and controversial pieces of music of all time. Originally conceived as a ballet, the work has achieved fame for its incredible rejection of classical ideas of tonality and key signature. The first performance in Paris caused a famous riot, as patrons reacted violently against the shocking musical motifs and decidedly non-traditional dancing. 

The Huaraches: “The Huaraches Steal Second”

Wherein our heroes up the ante on ribald rhythms, dark dance grooves, and cavernous compositional structures.

The Method: (s/t)

On their self-titled record, Kingston, Ontario’s The Method create the sort of no-nonsense alt-rock that used to populate radio all over the world back to from the beyond.

Buddy Black & The Ghost Umbrellas: “The Story on the Road to Waterloo”

Buddy Black and the Ghost Umbrellas will guide you down dusty roads. Their ragged music, a guided tour through the history of folk, country, and punk, will lead you from the country down to the sea, to the place where we all come together.

Page Tuner: “The Man Who Sold The World: David Bowie & the 1970s”

Early on in his remarkably well-researched book, “The Man Who Sold The World: David Bowie & the 1970s”, Peter Doggett posits that Bowie’s seminal folk-rock song “Changes” is a thesis statement for his entire legend, a sort of musical I Ching wherein all the complexities and possibilities of David Jones the man combined to form David Bowie, the legend.