Early on in his remarkably well-researched book, “The Man Who Sold The World: David Bowie & the 1970s”, Peter Doggett posits that Bowie’s seminal folk-rock song “Changes” is a thesis statement for his entire legend, a sort of musical I Ching wherein all the complexities and possibilities of David Jones the man combined to form David Bowie, the legend. Continue reading
Audio Reckoning 