Page Tuner: “The Man Who Sold The World: David Bowie & the 1970s”

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Early on in his remarkably well-researched book, “The Man Who Sold The World: David Bowie & the 1970s”, Peter Doggett posits that Bowie’s seminal folk-rock song “Changes” is a thesis statement for his entire legend, a sort of musical I Ching wherein all the complexities and possibilities of David Jones the man combined to form David Bowie, the legend. Continue reading

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How The Beatles Taught Me To Record

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I used to wake up at about noon and put on my tie. In my final semester of high school, I had only one class:  Art. It was during fourth period, so I had basically entire days free at home, without my family or friends to distract me from the crushing boredom that was slowly enveloping me like a weighted fog.  Instead of thinking about my future or worrying about a career, I was lost in cassette tapes. Continue reading

The Goatbox Rebel: “(S/T)”

The Goatbox Rebel

The Goatbox Rebel has constructed a thoroughly post-modern take on the blues. Transplanted into the 21st century, the music fuses analog crunch and buzz with digital thrum to create a compelling and fascinating re-casting of one of the foundational sources of rock and roll, given a new electrical tension from the fusion of man and machine. Continue reading

In Conversation With Daniel Lanois @ TIFF

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Last night I had the supreme pleasure of attending an evening billed as “In Coversation With Daniel Lanois” the the TIFF Bell Lightbox. Any time I get a chance to hear a great artist, an icon, talk about their work, I jump at the opportunity. Continue reading

Motion Pictures: “20,000 Days On Earth”

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The rock biography is a tough form to work with these days. With the expansion of the documentary form and the rise of the “mockumentary”, the format is rife with expectations and clichés. “20,000 Days On Earth” manages to avoid all of this by sidestepping any concept of straightforward documentary. Instead, the film functions as a sort of biography of the myth, rather than the man. Continue reading

Music on Film at TIFF 2014

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For many people, music attains its greatest emotive power when accompanying a moving image. Whether your thing is comedy or experimental art-house, it’s hard to imagine our favourite films without their respective scores. Here are three films that I saw at this year’s TIFF in which music played a pivotal role. Continue reading

Ain’t No Grave: “Enter: The Grave”

Ain't No Grave: "Enter: The Grave"

Ain’t No Grave: “Enter: The Grave”

Ain’t No Grave are a band that gives a fuck. Continue reading

Speakin’ In Tongues with Dirty Church

Dirty Church "Lies, Eyes, Toucan, & Bank"According to their singer Sebastian Major, the Dirty Church has but one commandment: “shake your ass!” Continue reading

Page Tuner: Digital Audio in 1960

12 Great Classics of Science Fiction

“Most recordings were like jigsaw puzzles since the advent of wave-matching. Although some old fashioned conductors and performers still adhered to the old hit-and-miss methods, what usually happened these days was that a master was prepared, a blueprint for a particular performance, a sort of picture of the desired orchestral sound. This visual master could be easily transferred direct into sound, but, if it were, it would only be of interest to music students. It would be entirely too mechanical for anyone else. Continue reading

Swans @ Yonge-Dundas Square (NXNE)

The birds were leaving.  Continue reading